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Lesson 29

 

FINAL HOOKS 4 - ADDING S, Ses, Stee, Ster

The S sound is always spoken last, after the stroke and its final hook and any halving.

(A) On straight strokes with F/V Hook, Circle S is written small and flattened inside the hook:
Pitman's New Era Shorthand

puffs approves briefs strives drives chiefs jives
 

Pitman's New Era Shorthand

serves reserves swerves waves halves

 

Pitman's New Era Shorthand
tufts drafts drifts gifts rafts wafts

 

(B) On straight strokes with N Hook:

 

Close up the hook into a circle or loop for S, Ses, Stee or Ster:


Pitman's New Era Shorthand

pains spins beans bounce tens/tense tons
 

Pitman's New Era Shorthand
dance distance chance joins cans runs

 

rinse wins/wince points bonds tents/tends dents

 

Pitman's New Era Shorthand

joints kinds counts rounds winds

 

Pitman's New Era Shorthand

pounces expenses bounces dances

 

Pitman's New Era Shorthand

chances cleanses glances rinses winces
 

Pitman's New Era Shorthand

pounced bounced dispensed tensed danced chanced

 

Pitman's New Era Shorthand

against glanced rinsed punster spinster Dunster

 

Ses Stee or Ster are not used after a halved and finally hooked stroke.

Use Dot Ing after the closed N Hook, as stroke Ing cannot join:
 

Pitman's New Era Shorthand
pouncing bouncing tensing dancing

 

Pitman's New Era Shorthand

cleansing glancing rinsing wincing

(C) On a curved stroke with N Hook:


On full-length curves, final Circle S is written small and flattened inside the N Hook, and this represents the -NZ sound only:

 

Pitman's New Era Shorthand

fines phones vines thins assigns zones

 

Pitman's New Era Shorthand

shines shins oceans mines men’s means

 

Pitman's New Era Shorthand

moans nines nouns lines loans leans earns


(D) Sound of -nce

 

After a full-length curved stroke, the sound of -nce uses stroke N + Circle S, and this allows Ses and Stee Loop to also be added. This distinction is made so that derivatives can be easily formed (unlike the -NZ sounds above which have no further derivatives):


Pitman's New Era Shorthand

fence fences fenced

 

Pitman's New Era Shorthand
announce announces announced

 

Pitman's New Era Shorthand

pronounce pronounces pronounced

 

Pitman's New Era Shorthand

denounce denounces denounced

Pitman's New Era Shorthand

mince minces minced
 

Pitman's New Era Shorthand

silence silences silenced
 

When the curved stroke is halved, the S inside the N Hook can represent both S and Z sounds, as these words do not have further derivatives:
 

Pitman's New Era Shorthand

fonts faints finds events shunts mints

 

Pitman's New Era Shorthand

mends amounts talents lands islands  lends

 

These derivatives require expanding to a full stroke N, as the only way to write them:

 

Pitman's New Era Shorthand

lens lenses lensed, elevens elevenses

(E) Short Forms


Pitman's New Era Shorthand

balance deliverance signify-ied-icant significance
 

Pitman's New Era Shorthand
Derivatives: balancing balances balanced deliverances

 

Pitman's New Era Shorthand

 signifying significantly insignificant

Contractions
 

Pitman's New Era Shorthand
negligence responsible-ility expensive


Derivatives using full outlines:

 

Pitman's Neew Era Shorthand

negligent negligently

 

Pitman's New Era Shorthand
responsibly responsibilities* Compare: response responses

*The singular is a contraction, the plural is written in full. To ensure no possible ambiguity, it is advisable to always insert the dash vowel in the normal outlines "response, responses"

(F) Phrases


Pitman's New Era Shorthand

at once, Monday next, balance sheet

In the following phrases, the normal reading order (stroke, F/V hook, T/D halving) is reversed, in order to make very convenient phrases, where the hook stands for a whole word:
 

Pitman's New Era Shorthand
instead of, part of, sort of

When phrasing "part of" using the halved PR stroke version, omit the "of", so that it cannot be misread as "number of":
 

Pitman's New Era Shorthand
large part of, large part of the, large number of, large number of the

N Hook and Halving on a short form and some outlines can represent "not":
Pitman's New Era Shorthand

I am not, you were not, you will not, had not*, do not, did not

 

* It is necessary to insert the two dots, to keep it clear, but it is quicker to just write it as two normal outlines.

 

Pitman's New Era Shorthand

But these in full: have not, are not, was not, shall not


(G) Apostrophied phrases

 

Apostrophied words always have a full outline, they are always fully vocalised, and they ignore any short forms that exist for the words:
 

Pitman's New Era Shorthand
hadn't, don't, didn't*, aren't, isn't, won't

 

* This outline omits the second D, i.e. "dint"

 

Pitman's New Era Shorthand

wasn't, can't, couldn't, haven't, shouldn't

Note that with "can't, don't, didn't" the shape of the outline is the same as the normal version. It is necessary to keep "did not" unphrased to allow it to be written in its own position, because you cannot clarify it by adding a vowel:

 

Pitman's New Era Shorthand

we do not, we did not, we had not

 

Pitman's New Era Shorthand

we don't, we didn't, we hadn't

 

The full list of all possible apostrophied combinations can be found on the Theory website www.long-live-pitmans-shorthand.org.uk

 

SUMMARY

  • On straight strokes, close up N Hook to add S, Stee, Ster: pain pains danced punster

  • On curved strokes, add small circle: mean means

  • Add small circle in F/V Hook: pave paves

  • On full curves, use Hook for -NZ sound, and Stroke for -NS sound: fens fence

  • On halved curves, above rule is not needed: minds mints

  • Apostrophied forms are always vocalised: can't won't

 

EXTRA VOCABULARY

 

Pitman's New Era Shorthand

attains detains cones canes glands surrounds

 

Pitman's New Era Shorthand

softens women's remains Romans

 

Pitman's New Era Shorthand

romance offence evidence avoidance

 

Pitman's New Era Shorthand

relevance alliance grievance reliance

 

Pitman's New Era Shorthand

resonance violence vigilance opulence

 

Pitman's New Era Shorthand

pestilence nuance essence

 

 

"Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable – if anything is excellent or praiseworthy – think about such things." (Philippians 4:8)

All original text, images and downloads on the Lessons, Reading and Theory websites, as below, are copyright © Beryl L Pratt and are provided for personal non-commercial study use only, and may not be republished in any form, or reposted online, either in full or part or screenshots or edited. The sites below are the only download locations for the material permitted by the author and if you wish to share the content, please do so by a link to the appropriate page:

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