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Lesson 23

 

INITIAL HOOKS 2

L HOOK TO STRAIGHT STROKES


An anticlockwise hook at the beginning of a straight stroke adds the L sound after the sound of the stroke. A first place vowel is written outside the hook:

 

Pitman's New Era Shorthand
play playing plays/place/plaice please apply reply

 

Pitman's New Era Shorthand

plop plot plough ploughed plead pluck

 

Pitman's New Era Shorthand

plug pledge plum blow blue bliss

 

Pitman's New Era Shorthand
blot blog bleak blame problem bling
 

Pitman's New Era Shorthand

class clap club cloud clutch

 

Pitman's New Era Shorthand

clear include including class glitch glad

 

When the hooked K and G strokes are written on the line, the hook is started from above the line:

 

Pitman's New Era Shorthand

clay closed claim glow gleam

 

(B) It is also used when there is an indeterminate slurred vowel (the schwa) between the two sounds:
 

Pitman's New Era Shorthand

apple topple ample sample example

 

 Pitman's New Era Shorthand

able enable bubble table trouble
 

Pitman's New Era Shorthand
double rubble marble battle bottle
 


cattle cudgel tackle
tinkle local

 

Pitman's New Era Shorthand

wriggle haggle giggle uncle

 

Pitman's New Era Shorthand

angle single jungle mingle

 

The hooked form is not used if there is an accented vowel:

 

Pitma's New Era Shorthand

rebel* rebel** label libel libellous

 

* Noun    ** Verb

 

(C) Adding S to the L Hook

Circle S is written small and somewhat squashed, just inside the hook. The S is spoken first. There can be a vowel between the S and the sounds of the hooked stroke, or all three can be spoken together:

No vowel immediately after the S:
 

Pitman's New Era Shorthand
splay display splice splash splat split
 

Pitman's New Era Shorthand
exclaim exclude exclusive disclose

Vowel immediately after the S:
 

Pitman's New Era Shorthand
supply supple possible settle settled subtle saddle
 

Pitman's New Era Shorthand
satchel cycle sickle bicycle cyclist

 

Note these derivatives keep their original form:

 

Pitman's New Era Shorthand

 sick sickly sickliness sicklist

 

(D) The following combinations needs the S to be elongated and the hook opened out:
 

Pitman's New Era Shorthand
explode explosive explore explicit exploit

 

Pitman's New Era Shorthand

Compare the normal circle in these: expedite expose accept
 

Pitman's New Era Shorthand
visible invisible advisable divisible fusible recycle


Where a medial L Hook is not possible, full stroke L is used:
 

Pitman's New Era Shorthand
musical risible crucible

 

Pitman's New Era Shorthand

admissible submersible unsettle unsettled

A Stee Loop or Sway Circle cannot be combined with the L Hook, therefore full strokes must be used:
 

Pitman's New Era Shorthand
staple stapler stapled stipple stable

 

Pitman's New Era Shorthand

stubble stickle stickler swaddle
 

(E) Distinguishing Outlines
 

Pitman's New Era Shorthand
avail available, value valuable

 

These should always have a vowel written in:

 

Pitman's New Era Shorthand

knees nose, ankle knuckle

 

Pitman's New Era Shorthand

foot feet, tooth teeth

 

In the following, the nouns/adjectives use a stroke L, and the verbs use an L Hook. This provides distinctive outlines and easy derivatives, and enables the more distinct vowels of the nouns to be written in:

 

Pitman's New Era Shorthand

Nouns/adjectives: medal medallist, mettle/metal metallic metalled
 

Pitman's New Era Shorthand
Verbs: meddle meddled meddling meddler meddlesome

 

Pitman's New Era Shorthand

muddle muddled muddling

(F) Short Forms
 

Pitman's New Era Shorthand
people, belief-believe-d, build-ing, tell, till
*

 

* The short form "till" is only used for the adverb, and has the same meaning as "until". The short form is not used for the noun or verb: a shop till, to till the soil.
 

Pitman's New Era Shorthand
told, deliver-ed-y, child largely

 

Pitman's New Era Shorthand

call, called, equal-ly, equalled/cold, school schooled
 

Contractions

 

Pitman's New Era Shorthand

neglect-ed
 

(G) Derivatives

 

Reminder from Lesson 13: Dot Ing is used after a short form when the last consonant of the word is not represented in the outline, even though stroke Ing would join clearly. This prevents it looking like a normal full outline for some other word:

 

Pitman's New Era Shorthand
believing telling delivering deliverer deliverable

 

Pitman's New Era Shorthand

childish childishly childlike calling equalling schooling

 

Pitman's New Era Shorthand

neglecting neglectful neglectfully electrical

(H) Phrases
 

Pitman's New Era Shorthand
at all, by all, I believe, able to*

* Same as the short form "build/building"

Omission phrases
 

Pitman's New Era Shorthand
as much as possible, as early as possible, as far as possible, as soon as possible

 

SUMMARY

  • Anticlockwise hook on straight strokes adds L sound: play

  • L Hook also used if there is an indeterminate vowel between: apple

  • Write Circle small inside the hook: splay, supple

  • Stee and Sway cannot be combined with L hook

 

EXTRA VOCABULARY

 

Pitman's New Era Shorthand

please ploughing/plowing plight blade

 

Pitman's New Era Shorthand

placed plaster blast blaster

 

Pitman's New Era Shorthand

plotting plod splotch blob employ imply

 

Pitman's New Era Shorthand

cluster reclaim glut gleaming glory

 

Pitman's New Era Shorthand

strangle bangle dangle jingle wrangle

 

Pitman's New Era Shorthand

rankle triangle waggle niggle snuggle

 

Pitman's New Era Shorthand

grapple cripple triple bauble nibble

 

Pitman's New Era Shorthand

rabble parable garble soluble

 

Pitman's New Era Shorthand

tackle trample dimple amble thimble

 

Pitman's New Era Shorthand

tumble ramble grumble mumble nimble

 

Pitman's New Era Shorthand

physical classical popsicle nonsensical

 

Top of page

 

 

"Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable – if anything is excellent or praiseworthy – think about such things." (Philippians 4:8)

All original text, images and downloads on the Lessons, Reading and Theory websites, as below, are copyright © Beryl L Pratt and are provided for personal non-commercial study use only, and may not be republished in any form, or reposted online, either in full or part or screenshots or edited. The sites below are the only download locations for the material permitted by the author and if you wish to share the content, please do so by a link to the appropriate page:

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